Hey America! Listen up. Today, our friends at the United State of Women launched a national campaign aimed at amplifying the voices of female-identifying changemakers across the country.

Working with the Creative Alliance, Trollbäck helped launch and design the month-long campaign — and we’re super excited to help spread the word about their incredible program.

It’s that time of year again! This weekend, Trollbäck+Company is headed down to the Savannah College of Art & Design’s CoMotion conference, a student-run event connecting up-and-coming motion designers with industry insiders.

Today, just 4-11 percent of U.S. senior leadership roles in the design industry are women. What gives? And what can we do to fix that?

This week, Trollbäck’s newest Associate Creative Director, Erin Kilkenny was featured in an interview with Dexigner talking about what it takes to make your way to the top as a woman in this industry.

This month, meet art director Sarah A. Cohen.

Walking through the streets of London and fields of Long Island.

In early January, Trollbäck+Company helped launch an all-new on-air identity for TeenNick, Nickelodeon’s sister channel targeted toward teenagers, preteens and other forms of angsty youth. Three months later, the industry has finally spoken, with the design pundits at Brand New calling it “one of the most authentic branding approaches geared toward teenagers that I have seen.”

Ever thought about adding 3D to your design toolbox? Art Director Ben Nichols has some advice.

This month, meet executive producer Erica Schrager.

Looking for something incredible to listen to as you get through the work-week?

Turns out, when he’s not overseeing creative work at the studio, CCO Alex Moulton has another life as a Brooklyn-based composer and DJ best known for “Exodus” his imagined soundtrack for an epic space saga, heavily influenced by early synthesizer music of the late ‘70s and early ‘80s.

Today, we’re celebrating the album’s 10th anniversary.

As Oscar night approaches, Trollbäck+Company’s top creatives took some time out of their busy schedules to give us some thoughts on their favorite films (both nominated and unnominated) of the 2018-2019 season.

Ready for some future forecasting? In the latest issue of Design Week, CCO Alex Moulton shares his thoughts on what many believe will be “a mass adoption of motion graphics design and animation” in the industry.

“There’s a growing appetite for something different to the ubiquitous polished, computer-generated look. It turns out, we love imperfection, and the smartest brands are picking up on that.”

For all of you in-camera enthusiasts out there, ECD Elliott Chaffer has a new piece Adweek talking about how more and more filmmakers are going analog in 2019.

If you liked our latest stuff for Motion 2018…

Looking for something new to watch in 2019? Our designers and animators recently linked up with Netflix to design a quick show logo for “The Fix” a new British-style comedy panel show hosted by comedian Jimmy Carr.

“We are fast moving towards a world where consumers do more viewing than reading, and that’s something global brands can’t afford to ignore. It’s no longer enough to be discoverable only through a website or physical stores.”

In the latest issue of CEO Today, CCO Alex Moulton talks the importance of brand voice, messaging, and visual communication today’s increasingly “social” landscape.

Want your brand to communicate better in 2019?

As the year draws to a close, Trollbäck+Company’s top creatives took some time out of their daily practice to give us their thoughts on the work we’ve done over the past year.

It’s officially that time of the year again — end-of-year list time, to be exact. We’re happy to announce that our latest rebrand for MTV International has made Promax’s Top 10 Rebrands of 2018 list.

Working on set in Brooklyn, New York.

“We might not think about it, but every consumer touchpoint involves motion and sound. It’s just that most are lacking intention.”

Last week, Trollbäck’s CCO Alex Moulton caught up with the branding gurus at Transform Magazine to talk challenges in today’s branding world and our approach here at the studio.

As with everything Trollbäck, it’s clear, simple, and worth the click.

Read the article here

Exploring underwater environments in Cuba.

This month’s design list is all about the laughs.

Humor: It’s integral and inherent in essentially every human relationship — from the friends we choose to the coworkers we spend our creative time with, to the brands we interact and identify with on a daily basis. In our latest listicle, we share a few tips and tricks we’ve learned through the past 20 years that can help brand managers make things funny without falling flat.

We’re pledging alongside more than 200 other organizations to celebrate our civic duty.

In case you needed an extra reminder: Tomorrow, November 6th is Election Day in the United States. This year, Trollbäck+Company is partnering with #VoteTogether, a national, nonpartisan campaign that aims to increase voter turnout across the country.

Trollbäck+Company concepted and designed the 3D experiential model.

This month, meet operations manager + master crafter Nicole Willis.

“It’s an experience game,” says Trollbäck designer+animator Pat King, one of seven young designers interviewed by Digital Arts Magazine this week about how they found success at some of the world’s best creative agencies.

It’s definitely worth a read if you’re looking to make the jump.

Read the article here

As 2018 comes to an end, more and more brands are investing in storytelling as a way to raise awareness and develop trust. But while brand storytelling may be a useful marketing tool, it is actually the opposite of an advertisement…

In case you missed it, Trollbäck CCO Alex Moulton was recently published in Brandberries, the first branding gateway of the Middle East and Africa.

Read the article here

For this month’s staff post, designer + animator Koda Ko lets us peek inside her creative process for our latest Verizon 5G anthem. 

This month, meet our producer + karaoke queen Betsy Jones.

A film about Dieter Rams by Gary Hustwit.

On Monday, September 24, SVA Theatre is premiering Hustwit’s latest film RAMS, a documentary portrait of Dieter Rams –– one of industrial design’s biggest icons. We are proud to have worked on both the opening titles and an interstitial animated sequence in the film.

Capturing the day-to-day lives of people and workers in NYC’s Chinatown.

For this month’s staff post, art director Sarah Cohen describes love at first sight, awkward interactions, and deeply interfacing with a modern design icon.

This month, meet our account manager Kevin “Kev” Anderson.

Exploring analogs on both sides of the Atlantic.

This month, meet copywriter + strategist and staff psychic Casey Halter.

It’s officially time to renew your library card.

With so much of New York culture specifically and unapologetically catered towards the tourism industry, NYC residents are often left (or jaded) out of the loop when it comes to catching what the city has to offer. But the launch of Culture Pass, a new partnership introduced this week between the New York Public Library system and 33 museums across the city is giving locals a new sense of cultural agency in a city run on sightseeing.

Is it time for your brand to take a stand?

Engaging in effective brand activism can create major moments for savvy brand managers, from helping to raise awareness, to building consumer loyalty, to helping new players in the business differentiate from the long-standing competition. But playing politics can also be a dangerous game for CMOs to play in today’ volatile environment–one misstep and brands can go from relative safety to total extinction.

Fortunately, we have some expertise in this arena, from our continuing human rights work with the Global Goals, to this spring’s exciting LGBTQ pivot campaign with MGM Resorts. For our latest design list, we offer five tips for brand leaders to effectively engage in this new age of radical branding.

Trollbäck+Company’s latest film titles will premier this month at Lincoln Center.

This Friday, the Film Society of Lincoln Center is set to premiere Love, Cecil an archival look at the legacy of famed photographer, set and costume designer Cecil Beaton. The film, a dazzling chronicle of one of the 20th century’s most unique creative forces was directed by one of Trollbäck+Company’s long-time collaborators, Lisa Immordino Vreeland.

We are proud to have designed the opening titles and film graphics for the project.

An analog exploration of Northeastern Americana.

Last night, PromaxBDA announced the winners of its 2018 Promotion, Marketing and Design North America Awards. We’re proud to have been honored alongside our clients once again this year.

It’s that time of year again! For the next three days, some of the world’s biggest entertainment companies and creative agencies will be hanging out in NYC for PromaxBDA’s annual conference and awards.

This month, meet designer, animator + Midwest native Eli Guillou.

Exploring how digital effects can translate to live in-camera FX.

For this month’s staff post, designer + animator Pat King gives us a glimpse behind his creative process for Motion 2018.

Young designers, take note. 

Are you a freelancer looking to score a gig at a cool design agency in New York City? In a place full of top-notch talent, it takes more than just a cool reel or website to get noticed. Take it from Daniel Graf, our in-house production coordinator, who recently compiled a list of do’s and don’ts for how to make it amid the competition.

From speaking with confidence to talking empowerment.

A brand’s tone of voice is not what it says, but how it says it. When doing big rebrands and redesigns, we often begin our strategic process not with the visual stuff, but with an exploration of a brand’s way of communicating and connecting with audiences.

For our latest Trollbäck List, we created a list of 10 essential TOV traits for brands to consider, and a quick explanation of when (and when not) to use them.

This month, meet senior designer, animator and krav maga initiate Fionna Mariani.

An up-close look at the Lone Star state through a foreign lens. “As a native Canadian, I definitely found the motto to be true: Everything is bigger in Texas.”

More upfront news! This afternoon, FOX celebrated the season with its own 2018 Upfront event at The Beacon Theater in New York City.

It’s officially upfront week! This morning, Trollbäck+Company started out the season with NBCUniversal’s 2018 Upfront event at Radio City Music Hall in New York City.

Spring has started and agency awards season is officially here. This week, some of our recent sports branding work got some major attention. First off, The Motion Awards by Motionographer announced our rebrand for NFL GameDay won in their TV/Streaming > Sports Graphics category. Clio Sports also awarded us a bronze award for our show packaging for ESPN’s Outside the Lines and a silver award for NFL GameDay. Looks like we’re going to have to dust off the trophy shelf. 

Congrats to everyone in our company who was involved! 

Let’s be honest–it’s fun to play.

Creating real visual effects in-camera is something I am passionate about. Call me “old skool,” but I strongly believe that now, more than ever, it is important to create work with personality and a human touch that breaks free from the sameness of work created with today’s over-obsession with plug-ins and render engines.

This month, meet junior strategist + horse grrl Asia Hunt.

Mark your calendars: Today, Motion 2018 announced our Executive Creative Director, Elliott Chaffer will be joining the likes of mograph legends Kyle Cooper, Erin Sarofsky, Garson Yu, and Jayse Hansen as a featured speaker at this year’s conference.

A unique collection New York City streetscapes, found artwork, and compelling personal moments.

Six ways digital communication is changing the way we think about wordmarks, avatars, and icons.

Logo design has come a long way since brands began using standardized icons more than 200 years ago. From ornate Victorian symbology in the mid-1800s to the Late Modernism of the 1960s and ‘70s, the design industry has demonstrated an almost constant state of re-invention to keep up with changing visual trends and technologies of the times.

Today, as society continues to embrace a bold new era of digital communication, this dynamic nature is changing faster than ever. In our latest Design List, we detail six recent trends in modern logo design and why they matter for constructing a contemporary, digital-first brand identity.

Nineteen years ago today, our founder Jakob Trollbäck took his vision for the world and put it into motion. Today, we celebrate 19 years of innovation in the design and creative communities.

In light of the recent Facebook + Cambridge Analytica controversy, art director Ben Nichols muses on the importance of honest brand communication on social media.

A follow up to AIGA/NY’s January panel discussion on gender equality and female representation in the workplace.

Why is it that women outnumber men as design school graduates, yet only make up 1 in 10 creative directors in this industry?

Tomorrow, our company is once again joining Trollbäck CD Rosie Garschina, AIGA/NY and the Parsons Lecture Series for a discussion on female leadership in the design and advertising worlds. We hope to see you there.

Nine frames is a new photography series produced by the Trollbäck staff. Each month, we assign a disposable camera to a single team member and ask them to capture their world. The idea is to show how different the world can look through the eyes of different people in this industry — designers, animators, strategists, filmmakers and writers. We hope you enjoy the perspective.

This month, meet video editor + Pacific Northwest hippie September Raines.

As we see media distributors losing consumers from traditional linear TV, digital distribution and social media have become crucial for creating engagement, boosting awareness and growing a brand’s customer base, among dozens of other KPIs.

For our latest staff post, head of client partnerships, Joe Nash overviews what it takes for brands to adopt and implement a comprehensive digital messaging and design strategy, and how studios like ours can help cut through the chaos.

Every Spring, Trollbäck + Company travels to Georgia for the Savannah College of Art & Design’s CoMotion conference, a student-sponsored event that brings together top industry professionals with the school’s Motion Media Design students to talk about what we do best.

As Oscar Season swiftly approaches, Trollbäck+Company’s top creatives took some time out of their busy schedules to give us some thoughts on their favorite Academy Award-nominated (and snubbed) films of the year.

In this industry, it’s important to stay inspired and keep connected to what’s going on in mainstream culture. Our top film picks help reveal what moves us here at the studio, and the diversity of thought within our creative team that’s integral to running a creative agency like ours.

Now, let’s see if the judges agree with our recommendations.

A panel discussion on the pros and cons of working in an intimate, collaborative agency.

How do some of New York City’s top design studios start small, stay small, and still compete with much larger agencies?

Join us this Thursday, February 22nd at the Museum of Arts and Design to talk some real-world strategies around something we know well: creating and running a small-scale studio. We’re going because Trollbäck CD Rosie Garschina has once again helped organize AIGA New York’s monthly panel talk.

8 techniques for working purposefully with one of design’s most notorious glitches.

Moiré: A type of graphic interference pattern that seemingly appears out of nowhere when lines, stripes, grids or curves align unexpectedly in a design. It’s a phenomenon usually avoided in this industry – the subject of countless how-to articles and online tutorials overviewing the easiest ways to skirt around or edit out the notorious optical illusion from our creations.

But moiré can also be an incredibly useful tool for adding depth, movement and unexpected excitement to our creative projects. Below, we detail eight techniques artists and designers have used while working purposefully with interference patterns. Think of it as inspiration for your daily practice.

Introducing our new monthly staff profile series. This month, meet designer + animator + avant pop star Bobby Hanley.

This weekend, design, architecture and illustration portal Dexigner interviewed Creative Director Brian Bowman about one of his latest project launches — a short animated film conceptualizing time and space for the Rubin Museum of Art. Commissioned for “The Second Buddha: Master of Time,” the video is one of many interactive tools and technologies that enable visitors to discover hidden meanings within the paintings and sculptures on display.

“Theories of time and space are hard to conceptualize, especially when you consider the many lenses through which we try to process it through science and spirituality, as individuals or collectively,” Bowman explains. Read the entire feature here.

Exhibition opening February 2 at the Rubin Museum of Art

In 2018, the Rubin Museum of Art is dedicating its galleries, lecture halls, and theaters to a year-long exploration of “The Future.” Kicking off the year is The Second Buddha: Master of Time, an exhibit that tells the story of Padmasambhava, the Lotus Born, who is believed to have played a major role in converting the land and people of Tibet to Buddhism.

A panel discussion with leading female creatives

Women make up just 11% of creative directors in this industry. We should talk about that.

On January 30th, our company joined Trollbäck CD Rosie Garschina, AIGA NY, and the Parsons Lecture Series for a discussion on equal collaboration, management and how to empower the next generation of female creative leaders.

As the year draws to a close, Trollbäck + Company’s top creatives took some time out of their daily design, strategy and content innovations to give us their thoughts on the work we’ve done over the past year.

It’s been a busy 12 months in the studio, from envisioning the future of entertainment with brands like Oxygen and Universo to tackling dynamic new visual identities with the NFL Network.

In the spirit of the New Year and year-end reviews, below are our thoughts on three of Trollbäck’s most-talked-about projects of 2017.

This fall, the NFL Network revealed a classic new look for its flagship Sunday show GameDay and guess who was behind it? We were thrilled to be involved in helping the iconic football channel re-envision its approach to sports marketing, working to develop everything from a fresh, original typeface to a clean, custom on-air graphics package that is now re-defining the look of the athletic entertainment industry at large.

Catch Creative Director Rosie Garschina talking about the rebrand in a recent interview with PromaxBDA, or view the full case study here.

Recently, PromaxBDA’s “The Daily Brief” podcast featured COO Alex Moulton to talk about the strategy, creative and design behind some of our biggest rebrands of the year. In the interview, Alex discusses his passion for music, his entrepreneurial spirit, and how he approaches some of the industry’s biggest challenges by simply “running into the fire.”

“The Daily Brief” is a weekly audio series that delivers original reporting, newsmaker interviews and the latest in creative innovation for entertainment marketing and design professionals. Listen in on the conversation here.

For commuters who start their day with Spectrum’s NY1 news channel, this week dawned a little lighter and brighter with a new early morning show, “Mornings on 1.” We created a fresh show open and bumpers for the live program, which brings New Yorkers three hours of continuous coverage from around the five boroughs.

by Ben Nichols, Senior Designer/Animator

In recent years, the development of cinematic-quality television has raised expectations for show titles to new heights and elevated it in public consciousness. Look no further than Ryan Gosling’s viral SNL skit, “Papyrus,” poking fun at the font choice for James Cameron’s blockbuster film Avatar. Of course the skit was a huge hit with us type design nerds, but it also reflects an increased viewer awareness of film and show titles as a distinct art form.

+ Title: Production Coordinator

+ From: Los Angeles, California

+ Currently living in: Bushwick, Brooklyn

+ With Trollbäck for:  7 months

+ Instagram: @greasepencil

In conjunction with the United Nations General Assembly and Global Goals Week, Jakob Trollbäck and our colleagues at The New Division have unveiled Targets for Action: an expanded communication system for all 169 targets of the Sustainable Development Goals.

+ Title: Chief Creative Officer

+ From: Berkeley, California

+ Currently living in: Fort Greene, Brooklyn

+ With Trollbäck for:  10 months

+ Instagram: @moultonalex

by Jess Bennett, Copywriter

For someone who values speed and efficiency in everyday life as much as I do, I have a limitless attention span when it comes to painstaking activities that inspire tedium in others. I love jigsaw puzzles – the tinier and more convoluted the pieces, the better. I love knitting, even though it’s infinitely more practical to buy a sweater than spend 40+ hours making one. I enjoy listening to the Grateful Dead (but draw a line at the tedium that is Drums and Space). What’s behind this patience-disparity?

by Rosie Garschina, Creative Director

Dieter Rams and his “10 Principles of Good Design” have had a huge influence on my practices as a designer, and continue to be a great reference for creating simple, effective design solutions. Until recently, it was easy to classify a product as well-designed. But what might be more important is recognizing that good design is not always successful branding.

+ Title: Designer / Animator

+ From: Coatesville, Pennsylvania

+ Currently living in: Brooklyn, NY

+ With Trollbäck for: 4 months

+ Instagram: @nijeltaylor

Earlier this year, Oxygen announced their intention to become television’s newest full-time destination for investigative crime programming. We were thrilled to be involved in helping them capitalize on audience demand for more “Crime Time,” and to witness the launch of their striking new branding package last Wednesday.

Intrigued? While we’re putting the finishing touches on the case study, read more about the rebrand in this exclusive from The Hollywood Reporter.

by Elliott Chaffer, Executive Creative Director

To be clear: I am not talking about the false value that people and brands place on the amount of shares they get or “friends” they have on social media. Nor am I talking about file sharing, timeshares, ride shares, re-shares, shareholders or company shares. And frankly, I couldn’t care less about selfies, hashtags, cat pics, or pictures of what you ate last night. Share a real meal with someone instead and find out something new.

Start your day with “morning dose.” Our branding for the new morning show launched on June 29th in syndicated Tribune Broadcasting markets. Leveraging the media reach and data analytics of digital publisher Dose, it’s the first daily wake-up show of its kind to focus on storytelling driven by trending social content. View the full case study here.

+ Title:    Senior Motion Designer

+ From:   Sydney, Australia

+ Currently living in:   Astoria, Queens

+ With Trollbäck for:   5 amazing years

+ Instagram:   @benjington

by Alex Moulton, Chief Creative Officer

I am on a constant quest to understand what makes great stories work on screen. But while reading scripts and mapping stories continue to teach me a lot about what works, I’ve always wished there was a better way to learn about non-verbal storytelling.

Now there’s a new tool for learning the unspoken side of the craft. Everyone has access to it, but most don’t even realize it’s there.

Australian comic Jim Jefferies is the latest entertainer to join the ranks of late night television, with a new politically-charged show on Comedy Central. We designed a show package that amplifies Jim’s unique and often divisive brand of humor, juxtaposing images that are informed by the complexity—and absurdity—of today’s current affairs.

AICP Week 2017 is underway, and we are thrilled to continue our involvement with the organization both as branding partners and event participants.

+ Title:    Executive Creative Director

+ From:  London, mate!

+ Currently living in:   Brooklyn, baby!

+ Studied:   Graphic Design/Photography at University of Brighton (UK)

This week in “Behind the Title,” postPerspective interviews CCO Alex Moulton. Alex discusses his goal to redefine growth and value in our industry, as well his passion for learning all of the “instruments” that play a role in branding and production.

“Behind the Title” is a weekly series profiling lead creatives across the production and post-production community. Learn more about Alex’s career trajectory, his latest music discoveries, and his musings on the future of VR storytelling here.

by Jess Bennett, Copywriter / Communications Coordinator

Stephen King’s On Writing: A Memoir of the Craft is a candid book that’s part memoir, part style manual, and part self-improvement guide. It’s the most honest book I’ve read about writing, and the most valuable. It was also published in 2000: four years before Facebook, six years before Twitter, a decade before Instagram. Today, we are rabid consumers of words and content; much more, I would argue, than when King first started On Writing in 1997. Now more than ever, with innumerable apps and platforms available for us to swipe, like, and share (including this one), everybody writes.

NBCUniversal’s upfront season is in full swing, showcasing everything that media buyers and audiences have to look forward to in their 2017-2018 portfolio. From their “Unequaled” anthem campaign to Monday night’s finale at Radio City Music Hall, here’s a look at some of our recent work for NBCU and their vast network of entertainment brands.

Under the leadership of veteran anchor Bob Ley, ESPN’s Outside the Lines reports on the most riveting and consequential stories to impact the world of sports–and the world at large. For the refresh, we delved into OTL’s past and present legacy to highlight the scope of their award-winning journalism–and never-ending quest to “Follow the truth.”

Catch Outside the Lines weekdays @ 1pm EST on ESPN. View the full case study here.

+ Name:   Fionna Mariani

+ Title:    Senior Designer / Animator

+ From:   North Carolina

+ With Trollbäck for: 2 years

+ Instagram:   @feefee83

For those of you in and around Stockholm (or needing an excuse to visit), Jakob will be speaking at A House Stockholm to celebrate 60 years of Design Sweden on May 22nd. Admission to the event is free.

Jakob will join other designers and creatives to discuss his work as it relates to “Purpose”—exploring why designers do what they do, why design matters, and how purpose plays a role in their process. Follow @designsweden as they continue to add exciting talent to their speaker slate, including Hall of Femmes co-founder, Angela Tillman Sperandio; and Unn Swanström of Doberman.

Details and tickets available here.

NBCUniversal (NBCU) has augmented their 2017–2018 upfront campaign using a new strategic formula for media buys: anthems directly targeting advertisers using NBCU’s own ad space. 12 spots, produced in collaboration with Trollbäck+Company, leverage NBCU’s proprietary assets to showcase their premium content and massive audience scale both on air and online.

+ Name:   Pat King

+ Title:     Designer / Animator

+ From:   British Columbia, Canada

+ With Trollbäck for: 1 year

+ Instagram:   @_patking

by Alex Moulton, Chief Creative Officer

“Design is a solution to a problem. Art is a question to a problem.”

John Maeda, 2009

Maeda’s insight remains a profound reduction of the divergent mindsets between designers and artists. When I first heard it I was in complete agreement, but nearly a decade later I think it’s worth a closer look. I now believe that it’s more important than ever for designers to be asking deeper questions at every stage of our process. It’s not enough to focus on solutions.

Chief Creative Officer Alex Moulton will be representing Trollbäck+Company at The New School’s Design Career Fair, Thursday 4/13. If you’re a current student or recent graduate looking for summer internship opportunities, please ask him about our program or email us at hello@trollback.com.

by Jorge Peschiera, Creative Director

There was a time when a brand identity was basically a logo, a font, and a color scheme. And yes, there was research and strategy that informed all of that, and stern talk of “safe areas” and “brand voice.” But still, it was simpler then. It was a time when mass communication was in its infancy and print was the dominant medium. Those sweet, innocent days are over, but most people who work in branding today seem to have missed that memo. Many branding firms still adhere to a fundamentally print-centric model. They fail to see how profoundly things have shifted.

by Brian Bowman, Creative Director

The Whitney had a new home. I was excited to see it and thankful that Trollbäck+Company had purchased tickets for our whole studio to attend the opening exhibition. The new building fit in well with its industrial Meatpacking surroundings and popular High Line elevated greenway. The entire area had been refurbished for retail, posh restaurants, and an Apple Store. Change in cities is good (mostly); especially when neighborhoods at risk of becoming vacant and dilapidated are able to be transformed into something vibrant again. Change is the litmus of life in the city and I’d rather see continuous change than stagnation due to vacancy or overzealous preservation.

Read more

We are thrilled to welcome Alex Moulton to the Trollbäck family as Chief Creative Officer. Alex comes to us by way of VICE, where as Senior Director he helped launch Live Nation TV; and brings more than 17 years’ of industry experience to our studio.

Our work for NBC Universal continues with an elevated brand refresh for Universo, now the fastest-growing Hispanic channel for millennials and adults. Guided by the mantra, “Breaking Boundaries,” we employed strategy, design, animation, and sound to create a minimalist new look for the property with a distinctly Latin pulse.

Trollbäck+Company CCO, Jakob Trollbäck, will be participating in this year’s OFFF Barcelona festival from April 6–8th. Jakob is speaking in OFFF Roots: a series of talks spotlighting leading industry designers and studios.

Now in its 17th year, OFFF brings together design minds from around the world for three days of conferences, workshops, and performances that celebrate curiosity and innovation across disciplines. This year’s theme, “New Senses,” promises a “sensorial renaissance” to challenge and engage the way we experience the world.

On March 30th, join us at the Type Director’s Club in midtown Manhattan for “Designing for Change”: a discussion on the challenges and rewards of connecting with a global audience. Jakob will speak about the process of designing visual communication systems for the United Nations’ Global Goals campaign as well as the NBC Olympics logos.

UPDATE: View the full presentation here.

For the second year in a row, Creative Director Rosie Garschina represented Trollbäck+Company at the Savannah College of Art and Design (SCAD) CoMotion festival. The three day event of talks, panels, and portfolio reviews presents an exciting opportunity for students to network with leading industry professionals. Rosie was a panelist on “Keeping Up,” discussing strategies for creatives to maintain a healthy work-life balance.

Watch the full presentation here.