Any creative professional out there will mostly be able to tell exactly what made them the person they are. Alex Moulton, Chief Creative Officer at Trollbäck+Company, certainly isn’t different.

Have an advocacy, NGO, or impact-related project coming up? This week in Print Magazine, industry reporters sat down with Design Director Nadia Husain and Executive Director of Creative Strategy Bo Bishop to talk about our latest rebrand for Mixteca – a case study in how to get culturally-appropriate, mission-driven branding done right.

But what does that look like? This month in Creative Pool, CCO Alex Moulton calls the creative industry to action for a radical new era of truth and transparency in branding.

This week in Clio Entertainment, one of Trollbäck’s top creative leaders pulls the curtain back on her process for developing a fresh identity for irreverent, intelligent, cross-platform entertainment.

Fearless is here. Read UnderConsideration’s rave review of our latest for FX Network.

This week, we’re updating our HBO Max case study with some exciting news: WarnerMedia’s big 2020 streaming bet has officially beat its year-end goal.

Prepare your submissions. Trollbäck CCO Alex Moulton is one of nine creative leaders on the 2020 Clio Awards‘ Design Craft Jury.

Trollbäck+Company created the logo, brand strategy, and initial visual identity for the headphone/audio brand.

This week on the Hush + 1 podcast, Trollbäck CCO Alex Moulton takes the mic to talk about identity, audio branding, and “less but better” in the world of design.

“I’m not an on the box creative director, and you don’t have to be.”

It’s time to wake up. To take notice. To raise our voices. It’s time to build back better for People and Planet.

This week in the Brandberries, strategists Asia Hunt and Casey Halter share how shifting brand strategies can lead to more meaningful, purposeful, and impactful expressions during COVID-19.

Just like everyone in these unprecedented times, creative agencies and production houses had to pivot quickly when the work-from-home order came last month. But what’s proved helpful for agencies is their innate adaptability, flexibility, and technological know-how.

This week, Trollbäck’s executive director of client partnerships David Edelstein was featured alongside a number of creative and agency leaders on Promax’s Daily Brief offering advice on how to get (and stay) creative during these unprecedented times.

Trollbäck’s ACD Erin Kilkenny will be judging.

Our Smithsonian Channel refresh is now live, with an international rollout on the way.

Tröllback’s Elliott Chaffer and Alex Moulton will be sharing our first-round presentation for TeenNick’s rebrand at this year’s First Round New York.

In 2015, the United Nations laid out the Sustainable Development Goals (SDGs), a global initiative asking governments, advocates, and businesses around the world to come together to benefit the planet and its inhabitants.

Five years later, the international change-maker has its sights set on the fashion world – urging designers, buyers, corporations, and influencers to do their part in building a model and awareness platform for SDG action, Vogue Business reports.

Early last year, Trollbäck did some design and strategy work for an audio start-up promising to dramatically improve digital sound quality while simultaneously activating the brain.

Yesterday, the brand introduced itself to the world.

This week, Jakob Trollbäck and the Global Goals unveiled a new initiative at the World Economic Forum in Davos, Switzerland to foster climate leadership across corporate, investor, donor and NGO institutions.

We’re posting here today to help spread the word, and invite you to scroll through seven video shorts that debuted this week to help highlight the effort.

Art Director Sarah Cohen weighs in alongside Pentagram’s Michael Beirut and DBLG’s Grant Gilbert for the magazine’s January print issue.

This week in Retail Customer Experience, CCO Alex Moulton shares his thoughts on how to optimize in-store experiences for a new era of IRL interaction.

This week in the Dieline, CCO Alex Moulton shares how brands can do more of the right thing – and less of everything else.

Looks like two of our projects made the list this year.

Our FOX Entertainment rebrand just got reviewed by UnderConsideration’s Brand New. How’d we fare? You’d better see for yourself…

Quick update on one of our coolest clients in the product sphere…

This week in title design news: Dexigner covered a brand film collab we did with Penn State and Decoded Advertising.

The news is out! We’re excited to welcome two new creative leaders to the studio: Executive Director, Creative Strategy Bo Bishop and Creative Director Fran Roberts.

Welcome to the “post-brand” generation. In this month’s issue of CEO Today, strategist Asia Hunt talks Gen Z, authenticity, and digital culture.

Yesterday, huge news dropped around WarnerMedia’s soon-to-debut streaming service — HBO Max. We’re proud to have been one of the agency partners who worked hard to help bring that vision into reality.

Love it or hate it, the Paris 2024 Olympics logo is here to stay. This week in Transform Magazine, CCO Alex Moulton mulls over whether the controversial marque can silence its critics.

Earlier this fall, we teased a new media project we’ve been working on – The Recount – a first-of-its-kind video venture promising bite-size “remixes” of the day’s biggest political stories. Today, they officially launched, and you should really check it out.

The news is out! Take a sneak peek at our massive redesign for the new FOX TV….

CCO Alex Moulton weighs in on the latest design industry debate.

This month in media news, Adweek’s Josh Sternberg goes inside the content-marketing strategy of the world’s largest hotel brand.

Are you in the business of money, banking, or financial planning? It’s time to listen up. Every day, it seems like a shiny new app enters the fintech market — from Betterment to Wealthsimple to FutureAdvisor. This week on Fintech Futures, CCO Alex Moulton shares his thoughts on how big finance can ready itself and navigate the changing financial services market.

Dieter Rams has left an indelible mark on the field of production design. Why, at the age of 87, does he now regret ever taking up the profession?

Sports marketers, take note: This month in the Sustainability Report, journalist Aileen McManamon writes about how sponsors are increasingly using the UN’s Global Goals to set their business roadmap. Here’s how to speak their language.

How can businesses become more sustainable? What choices should they make? And what challenges will they face in doing so?

This week in Transform Magazine, founder Jakob Trollbäck sat down with the design pundits to talk about our Swedish sister agency, The New Division, and what they’re doing to bring positive environmental practices to brands around the world.

Brand experience requires a multichannel, strategic approach to content, comms and branding. How can companies take a new approach to experience design?

CCO Alex Moulton answers that question in a new thinkpiece in Transform magazine this week discussing the importance of experience design in the new “attention economy.”

This week on Digital Arts: Leading studios including Vault49, Here Design, Found Studio and Trollback+Company tell us why it pays to never play it safe.

Without a defining identity, your company could fade into the background. Fortunately, resident copywriter + strategist Casey Halter has some tips on how to develop a brand voice that stands out from the crowd.

Today, just 4-11 percent of U.S. senior leadership roles in the design industry are women. What gives? And what can we do to fix that?

This week, Trollbäck’s newest Associate Creative Director, Erin Kilkenny was featured in an interview with Dexigner talking about what it takes to make your way to the top as a woman in this industry.

In early January, Trollbäck+Company helped launch an all-new on-air identity for TeenNick, Nickelodeon’s sister channel targeted toward teenagers, preteens and other forms of angsty youth. Three months later, the industry has finally spoken, with the design pundits at Brand New calling it “one of the most authentic branding approaches geared toward teenagers that I have seen.”

Looking for something incredible to listen to as you get through the work-week?

Turns out, when he’s not overseeing creative work at the studio, CCO Alex Moulton has another life as a Brooklyn-based composer and DJ best known for “Exodus” his imagined soundtrack for an epic space saga, heavily influenced by early synthesizer music of the late ‘70s and early ‘80s.

Today, we’re celebrating the album’s 10th anniversary.

Ready for some future forecasting? In the latest issue of Design Week, CCO Alex Moulton shares his thoughts on what many believe will be “a mass adoption of motion graphics design and animation” in the industry.

“There’s a growing appetite for something different to the ubiquitous polished, computer-generated look. It turns out, we love imperfection, and the smartest brands are picking up on that.”

For all of you in-camera enthusiasts out there, ECD Elliott Chaffer has a new piece Adweek talking about how more and more filmmakers are going analog in 2019.

If you liked our latest stuff for Motion 2018…

Looking for something new to watch in 2019? Our designers and animators recently linked up with Netflix to design a quick show logo for “The Fix” a new British-style comedy panel show hosted by comedian Jimmy Carr.

“We are fast moving towards a world where consumers do more viewing than reading, and that’s something global brands can’t afford to ignore. It’s no longer enough to be discoverable only through a website or physical stores.”

In the latest issue of CEO Today, CCO Alex Moulton talks the importance of brand voice, messaging, and visual communication today’s increasingly “social” landscape.

Want your brand to communicate better in 2019?

It’s officially that time of the year again — end-of-year list time, to be exact. We’re happy to announce that our latest rebrand for MTV International has made Promax’s Top 10 Rebrands of 2018 list.

“We might not think about it, but every consumer touchpoint involves motion and sound. It’s just that most are lacking intention.”

Last week, Trollbäck’s CCO Alex Moulton caught up with the branding gurus at Transform Magazine to talk challenges in today’s branding world and our approach here at the studio.

As with everything Trollbäck, it’s clear, simple, and worth the click.

Read the article here

Trollbäck+Company concepted and designed the 3D experiential model.

“It’s an experience game,” says Trollbäck designer+animator Pat King, one of seven young designers interviewed by Digital Arts Magazine this week about how they found success at some of the world’s best creative agencies.

It’s definitely worth a read if you’re looking to make the jump.

Read the article here

As 2018 comes to an end, more and more brands are investing in storytelling as a way to raise awareness and develop trust. But while brand storytelling may be a useful marketing tool, it is actually the opposite of an advertisement…

In case you missed it, Trollbäck CCO Alex Moulton was recently published in Brandberries, the first branding gateway of the Middle East and Africa.

Read the article here

Last night, PromaxBDA announced the winners of its 2018 Promotion, Marketing and Design North America Awards. We’re proud to have been honored alongside our clients once again this year.

It’s that time of year again! For the next three days, some of the world’s biggest entertainment companies and creative agencies will be hanging out in NYC for PromaxBDA’s annual conference and awards.

More upfront news! This afternoon, FOX celebrated the season with its own 2018 Upfront event at The Beacon Theater in New York City.

It’s officially upfront week! This morning, Trollbäck+Company started out the season with NBCUniversal’s 2018 Upfront event at Radio City Music Hall in New York City.

Spring has started and agency awards season is officially here. This week, some of our recent sports branding work got some major attention. First off, The Motion Awards by Motionographer announced our rebrand for NFL GameDay won in their TV/Streaming > Sports Graphics category. Clio Sports also awarded us a bronze award for our show packaging for ESPN’s Outside the Lines and a silver award for NFL GameDay. Looks like we’re going to have to dust off the trophy shelf. 

Congrats to everyone in our company who was involved! 

Mark your calendars: Today, Motion 2018 announced our Executive Creative Director, Elliott Chaffer will be joining the likes of mograph legends Kyle Cooper, Erin Sarofsky, Garson Yu, and Jayse Hansen as a featured speaker at this year’s conference.

Nineteen years ago today, our founder Jakob Trollbäck took his vision for the world and put it into motion. Today, we celebrate 19 years of innovation in the design and creative communities.

Every Spring, Trollbäck + Company travels to Georgia for the Savannah College of Art & Design’s CoMotion conference, a student-sponsored event that brings together top industry professionals with the school’s Motion Media Design students to talk about what we do best.

This weekend, design, architecture and illustration portal Dexigner interviewed Creative Director Brian Bowman about one of his latest project launches — a short animated film conceptualizing time and space for the Rubin Museum of Art. Commissioned for “The Second Buddha: Master of Time,” the video is one of many interactive tools and technologies that enable visitors to discover hidden meanings within the paintings and sculptures on display.

“Theories of time and space are hard to conceptualize, especially when you consider the many lenses through which we try to process it through science and spirituality, as individuals or collectively,” Bowman explains. Read the entire feature here.

This fall, the NFL Network revealed a classic new look for its flagship Sunday show GameDay and guess who was behind it? We were thrilled to be involved in helping the iconic football channel re-envision its approach to sports marketing, working to develop everything from a fresh, original typeface to a clean, custom on-air graphics package that is now re-defining the look of the athletic entertainment industry at large.

Catch Creative Director Rosie Garschina talking about the rebrand in a recent interview with PromaxBDA, or view the full case study here.

Recently, PromaxBDA’s “The Daily Brief” podcast featured COO Alex Moulton to talk about the strategy, creative and design behind some of our biggest rebrands of the year. In the interview, Alex discusses his passion for music, his entrepreneurial spirit, and how he approaches some of the industry’s biggest challenges by simply “running into the fire.”

“The Daily Brief” is a weekly audio series that delivers original reporting, newsmaker interviews and the latest in creative innovation for entertainment marketing and design professionals. Listen in on the conversation here.

Earlier this year, Oxygen announced their intention to become television’s newest full-time destination for investigative crime programming. We were thrilled to be involved in helping them capitalize on audience demand for more “Crime Time,” and to witness the launch of their striking new branding package last Wednesday.

Intrigued? While we’re putting the finishing touches on the case study, read more about the rebrand in this exclusive from The Hollywood Reporter.

AICP Week 2017 is underway, and we are thrilled to continue our involvement with the organization both as branding partners and event participants.

This week in “Behind the Title,” postPerspective interviews CCO Alex Moulton. Alex discusses his goal to redefine growth and value in our industry, as well his passion for learning all of the “instruments” that play a role in branding and production.

“Behind the Title” is a weekly series profiling lead creatives across the production and post-production community. Learn more about Alex’s career trajectory, his latest music discoveries, and his musings on the future of VR storytelling here.

NBCUniversal (NBCU) has augmented their 2017–2018 upfront campaign using a new strategic formula for media buys: anthems directly targeting advertisers using NBCU’s own ad space. 12 spots, produced in collaboration with Trollbäck+Company, leverage NBCU’s proprietary assets to showcase their premium content and massive audience scale both on air and online.